Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.  Related Paintings of Mikhail Vrubel :. | Nadezhda Zabela Vrubel | Portrait of a Military Man | Portrait of nadezhda zabela-vrubel | The Portrait of Isabella near the fireplace | Salieri Pouring Poison Into Mozart's Glass |
Related Artists:
Norbert Goeneutte
1854-1894 French French painter and engraver. In 1871, after working briefly as a lawyer's clerk, he entered the studio of Isidore Pils at the Ecole des Beaux-Arts. When Pils died in 1875 Henri Lehmann took over the studio and Goeneutte left, moving to Montmartre. There he met Auguste Renoir, for whom he often modelled, and Marcellin Desboutin, who inspired his interest in engraving, etching and drypoint. Although Goeneutte was associated with Manet, Degas and Renoir, and his work was influenced by them, for instance in the informality of his compositions, he never exhibited with the Impressionist group, preferring instead the official Salons. Every year from 1876 he exhibited several works in the Paris Salon, such as Boulevard de Clichy under Snow (1876; London, Tate). He visited London in 1880, Rotterdam in 1887 and Venice in 1890.
Jose de Ribera
Spanish Painter and Print engraver , 1591-1652 Information concerning the life and personality of Jusepe de Ribera is sparse. He was born the son of a shoemaker in Jetiva, Valencia Province. He appears to have gone to the city of Valencia while still a boy, but nothing is known of his possible artistic training there. As an adolescent, he traveled to Italy and spent time in Lombardy. Next he was in Parma, from which, it is said, he was driven by the contentious jealousy of local artists. He located himself in Rome until an accumulation of debts forced him to flee. Finally he settled in Naples, where in 1616 he married Caterina Azzolino, the daughter of a painter, by whom he had seven children between the years 1627 and 1636. The Academy of St. Luke in Rome elected Ribera to membership in 1625, and 6 years later the Pope conferred upon him the Order of Christ. It is understandably speculated that Ribera revisited Rome for these events. Being sought after in Naples by the Church and the various Spanish viceroys who ruled there in the name of the Spanish monarchy, he dismissed the idea of returning to his homeland. He was quoted as saying that he was honored and well paid in Naples and that Spain was a cruel stepmother to its own children and a compassionate mother to foreigners. Nevertheless, he generally added his nationality when he signed his works. This practice inspired the Italians to nickname him "the Little Spaniard" (Lo Spagnoletto). The last decade of Ribera's life was one of personal struggle. He suffered from failing health, the taunts of other artists that his fame was "extinct," and difficulty in collecting payments due him. Nevertheless, he kept it from being a tragic defeat by continuing to paint until the very year of his death in Naples. Actually, he was the victim of the local politics and finances. Naples was in the throes of a severe economic depression for which the foreign rulers, the patrons of Ribera, were naturally blamed, and the desperate citizenry was rioting in the streets. It is significant that Ribera continued to receive commissions in such a time, even if there was a dearth of payments. Ribera was inventive in subject matter, ranging through visionary spectacles, biblical themes, genre, portraits, mythological subjects, and portraits of ascetics and penitents.
Hans Jorgen Hammer
(29 December 1815, Copenhagen - 28 Januar 1882, Rome) was a Danish artist who specialized in genre painting. Following an apprenticeship with J.G. Berg in Copenhagen, Hammer was admitted to the Danish Academy in 1828. In 1841, he became a student of Christoffer Wilhelm Eckersberg who remained a close friend. He was awarded the Academy's little silver medal in 1842 and the large silver medal the following year. Det sidste Læs, his entry for the Neuhausen Prize in 1845, was bought by Statens Museum for Kunst but it was not until 1837 that he was awarded the prize with Bønder forsamlede til Lystig­hed en Søndag Eftermiddag under aaben Himmel. Hammer was an industrious but rather serious and thoughtful artist. His avid approach to detail slowed down his work considerably. After the outbreak of war in 1848, he became a naval officer. With a stipendium from the Academy, he travelled to Italy in 1857 where he painted Torvet i Ariccia efter Solnedgang, considerably enhancing his reputation in Denmark. The painting was acquired by Statens Museum for Kunst in 1863. Other notable works are Axsamlersken (1866) and Postbudet med det længe ventede Brev (1877). After recovering from a serious illness, he travelled to Rome in 1881 but died there the following year